“A thousand
words will not leave so
Deep an impression as on deed”
Henrik Ibsen
§ Henrik
Ibsen
§ His
personal life
§ His
specialty of writing
§ His
style of writing
§ The
synopsis of his work
A Norwegian
playwright and poet Henrik Ibsen is considered as the father of Modern Theatre.
He is also referred as the father of realism. After Shakespeare, he is
considered as the second most influential and insightful dramatist and poet of
the 19th century. Ibsen was born on 20th March 1828 in the city Skien, Norway.
Henrik Ibsen was the eldest of his five siblings. He belonged to a merchant
family.
Henrik
father, Knud Ibsen (1797-1877) was a well-off merchant. His mother, Marichen
Altenburg (1799-1869) was a daughter of one of the richest merchants of the
Skien. When Henrik Ibsen turned eight his father went bankrupt and became
alcohol addicted. This was the most shattering thing happened to his family.
All through his childhood, Ibsen had been depressive that can easily be seen in
his work which is as much a reflection of his own life. Even in most plays he
had named his characters after his family.
At the age of fifteen, he was forced
to leave his school. Then he moved to Grimstad and worked as a pharmacist. That
was the time when he discovered himself as an author. He worked at the pharmacy
for six years and in the rarely given spare time he started writing plays and
painting. Then in 1850 he moved to Christiania for the sake of getting
admission into University of Christiania but couldn’t pass all the entrance
exams. Quitting the idea of studies Ibsen fully concentrated on his writing. He
completed and published his first verse drama, a tragedy, Catilina
with the help of a friend. Nor the play did sell any significant number of
copies neither it got accepted at any theatre for performances. In 1851, he got
a job at the National Theatre of Bergen. The Burial Mound was his
first drama to be staged and attracted few. In the following years he wrote
numerous plays that went unsuccessful but his determination to be a playwright
stayed strong.
Henrik
Ibsen is referred to by most critics as one of the best playwright of the
modern times. His plays are also the second most performed right under
Shakespeare. Ibsen's plays were very controversial at the times
because of his realism ideals that he incorporated into his plays. Henrik
Ibsen had multiple things that affected his style of writing from his father
losing his job and becoming an alcoholic bitter old man or how Henrik Ibsen
himself had a very poverty like life with his wife and kid. Overall, the
majority of his writings revolve around social problems. Another very easily spotted style of Henrik
Ibsen is his use of psychological problems in the majority of his characters.
Either they're making poor decisions in the story or they actually are
psychologically different. A good example of psychological problems is in
the play Ghosts where Jakob Engsrand thinks it is a good idea
to try to hire his adopted daughter to work in his brothel or "sailors
establishment”.
Ibsen left Norway in 1862, eventually settling in Italy for a
time. There he wrote Brand,
a five-act tragedy about a clergyman whose feverish devotion to his faith costs
him his family and ultimately his life in 1865. The play made him famous in
Scandinavia. Two years later, Ibsen created one of his masterworks, Peer Gynt. In 1868, Ibsen moved to Germany. During
his time there, he saw his social drama The Pillars of
Society first
performed in Munich. The play helped his career and was soon followed up by one
of his most famous works, A Doll's House.
A few years later, Ibsen moved back to Germany where he wrote one of his most
famous works. With Hedda Gabler (1890), Ibsen created one of the
theater's most notorious characters. Hedda, a general's daughter. The character
has sometimes been called the female Hamlet, after Shakespeare's famous tragic
figure. In 1891, Ibsen returned to Norway as a literary hero. When We Dead Awaken, written in 1899 was proved to be his
final work
On 23 May 1906, Ibsen died in his home
at Arbins gade 1 in Christiania (now
Oslo) after a series of strokes in March 1900.
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